What Judith Marcuse Said

BC Artists Coalition

Scotiabank Dance Centre

September 27, 2010

Introduction by Judith Marcuse

Welcome. This meeting has been called to get us caught up with each other and to do some creative advocacy work together.

I’m delighted to recognize the wealth of perspectives and knowledge we have here all in one room. I am very hopeful that our different individual and collective ideas will enable us to move forward on the many fronts of our concerns about arts and culture in BC. And that this gathering will provide energy and action for positive change, both in the short term and into the future.

It’s just over a year ago that the BC government made the unprecedented, surreal and illogical cuts to investment in our 78,000-person-strong sector. Over the course of the year there have been some victories as a result of the extraordinary advocacy work that has taken place.

Indulge me here as I acknowledge and celebrate some of that work…in no particular order. The 10,000 letters that have been sent to politicians and others from BC citizens and from across Canada; the rallies, the dances, the Grey Square relay, the Solidarity photo project of miners, loggers, farmers holding signs supporting the arts; the postcards and the videos; the petitions; the hundreds of speeches at arts events across the province; the many press releases and media campaigns that got wide-ranging public coverage, local, national and online; the meetings with ministers and other government representatives; the presentations to the BC Budget Finance Committee, the toolkits provided by the Arts Alliance, now also being used by the informal coalition of BC arts service organizations that the Alliance is facilitating;.the publishers, music associations, touring council;—the list is here if you want to see it—the celebrity statements; the statistics and other data assiduously gathered to clarify confusing information from the government; the hiring of a lobbyist paid for by a coalition in Victoria and some of the large Lower Mainland arts organizations with the Alliance which has contributed thousands of hours of staff time; the resignation of the chair of the BCAC, Jane Danzo; the launch of new websites that are providing up-to-the minute news on the advocacy front; the promise by the Minister of a Day at the Legislature; the Alliance’s work to co-ordinate meetings with every MLA in the province. The ongoing initiatives of the Grey Square, PAARC, Stop BC Arts Cuts; the Alliance, the Assembly of BC Arts Councils, the lobbyist, Mark Marissen; and Arts Advocacy BC, which has a pan-provincial mandate. And many other initiatives. The list goes on and on. So many new conversations with new contacts, honing our positions and the languages with which to present them.

We have some short term and possibly-sustainable victories to celebrate. We now have a public commitment from the present government at least NOW, to the principle of arms-length investment in arts and culture, a critical position that we must be vigilant to ensure is imbedded both in the short term and in the provincial policy we hope to see created one day soon.

Some of the cuts were restored: $7 million was restored to the BC Arts Council and the outcry overthe Spirit Festivals changed some of the policy surrounding that program, but we have a long way to go. Many of you will know that some of the arts funding stats—nearly $40 per person in Saskatchewan, more than $20 in Alberta, for example, and  in BC $6.45. Triple the BC budget, and we’re still at the bottom. There are serious inequalities between the various regions of the province, as well .

There are serious problems with the Embrace BC program which many arts groups are trying access. These.include issues of intellectual property rights. The Gaming situation, of core concern to many of us, is a morass of confusion.

We have begun to come to together as a community to recognize our strengths and our allies, our audiences, our boards, our children, educators, other civil society organizations, citizen groups, chambers of commerce, businesses, health and justice system individuals and organizations, and we are connecting in new ways with the private sector, which in fact, in Canada, outstrips the public sector in its investment in arts and culture. (We must reposition the words…not grants or subsidies. )

There will be an election in a few years and work toward that is much longer-term, but here are the starting point goals that the planning committee offers to you.

Goals:

1.      Increased and stable investment in our sector (e.g. three-year BCAC support programs like Canada Council). To include funding for operating, projects and individuals. A tripling of pre-cut levels, still would be lowest in Canada.

2.      Guarantee of arms-length funding policy as part of the creation of an overall arts policy for the province

3.      Restoration of clear access to Gaming revenues

4.      Re-establishment of intellectual property rights specific to Embrace BC new rules

5.      More equitable policies and actions for artists and organizations in rural areas of the province

[Judith then went on to describe the break-out groups which were to follow and report at the meeting’s conclusion.]

What Our Members Are Saying

Here are a few comments from our new members.

Want to add your comment? Send it to us.

Stop the Cuts! We don’t want to be a nation of buffoons.

Art is civilization’s oxygen.

BC’s policy—rather non-policy—on the arts is shockingly deficient. In fact it is a policy of attacking our vital culture and the remarkable contributions of the arts community. Congratulations on pushing this forward. We need a strong voice and we need to make this an important issue during the next election.

Art is not a luxury. It is a critical part of our personal and cultural heritage as human beings.

Wonderful initiative!

Artists bring beauty and balance to the world and offer their creativity and knowledge to the Art of Living.

If ever there was a need for advocacy is this province, it is now.

Commit to Arts Funding Now!

I support the voice of all British Columbians, which is kept strong through arts and culture in this province.

Thanks for your great work!

Each and every great culture supports the arts. The arts are our culture and creativity, and innovation is our future. To cut the arts funding at this stage in BC’s history is tragic and very short sighted.

I’m glad to have the opportunity to add my voice to this worthwhile cause.

How arts organizations are treated by the Government truly reflects the soul of the politics of our leaders. In this case, our leaders have failed us.

A healthy society MUST have art!

Your best bet is to go directly to the WSAA website and study how this organization is structured and what it offers its members.  We make no apologies in noting that WSAA was the model for AABC.

Here are a few highlights:

An organization devoted solely to advocacy.

A large board of directors drawn from all over the state.

A large membership made up of individuals (as low as $25), performing arts organizations and arts service organizations (as low as $60), affiliate organizations like libraries and, businesses (as low as $50).

Links to all member organizations and individuals.

Effective and easy to follow action alerts and an email alert feature.

An advocacy calendar.

Workshops and advocacy group meetings around the state.

An annual arts day at the state capitol.

A list of elected officials and how they stand on the arts.

A simple and direct advocacy “tool kit.”

A full-time lobbyist reporting regularly to the membership.

A paid office staff of only three.

What is stopping us from having a similar organization in B.C.?

READ THE FIRST PARAGRAPH

THE PHILOCTETES CENTER FOR THE MULTIDISCIPLINARY STUDY OF IMAGINATION
at the New York Psychoanalytic Institute
(EDWARD NERSESSIAN AND FRANCIS LEVY, DIRECTORS)

invites you to a Roundtable
Saturday, September 25, 2010 at 2:00pm
at
The Philoctetes Center
247 East 82nd Street
(Phone: 646-422-0544; email: [email protected] )

This event is free and open to the public.

From the WPA to the NEA: Arts Funding Then and Now

The WPA, one of the central programs of Roosevelt’s New Deal, was pivotal in providing a template for government subsidy of arts projects, producing one of the great periods of creative expression in the history of American society. Playwrights like Arthur Miller and Elmer Rice flourished under the WPA’s Federal Theater Project, directed by Hallie Flanagan. Federally funded projects sowed the seeds for America’s ascendency as the center of modern art, particularly with the emergence of abstract expressionism in the late ‘40s and ‘50s. The WPA and the New Deal fostered a renaissance that affected the very fabric of American society, instilling a confidence that helped lead the country back to prosperity. This panel will look at how and why the WPA stimulated creative growth during a crucial period in American history, and examine the ways in which government subsidy of the arts can foster a sense of social identity.

Morris Dickstein is the author of Dancing in the Dark: A Cultural History of the Great Depression , winner of the 2010 Ambassador Book Award in American Studies. He is Distinguished Professor of English and Theatre at CUNY Graduate Center and the author of Gates of Eden and Leopards in the Temple , among other works.

Rocco Landesman is the tenth chairman of the National Endowment for the Arts (NEA). Prior to joining the NEA, he was a Broadway theater producer. After receiving a doctorate in Dramatic Literature at the Yale School of Drama, he served there for four years as an assistant professor. He ran a private investment fund until his appointment in 1987 as president of Jujamcyn, a company that owns and operates five Broadway theaters. Landesman has produced several Tony award-winning Broadway hits, most notably Big River, Angels in America , and The Producers . He has been active on numerous boards, including the Municipal Arts Society, the Times Square Alliance, The Actor’s Fund, and the Educational Foundation of America. Landesman has spoken at forums and written numerous articles on the debate surrounding arts policy.

Susan Quinn is the author of A Mind of Her Own: The Life of Karen Horney; Marie Curie: A Life; Human Trials: Scientists, Investors and Patients in the Quest for a Cure ; and Furious Improvisation: How the WPA and a Cast of Thousands Made High Art Out of Desperate Times . Quinn received the Globe Winship award for A Mind of Her Own , and was awarded a Guggenheim Fellowship and Rockefeller residency to work on her biography of Marie Curie, which was a finalist for the Los Angeles Times Book Prize, shortlisted for the Fawcett Book Prize in England, and won the Grand prix des Lectrices d’ Elle in France. Quinn has been a staff writer at Boston Magazine , where she won the Penney-Missouri Magazine Award for investigative journalism, and has contributed to The Atlantic and New York Times Magazine , among other publications. She is currently at work on a book about the friendship of Harry Hopkins and FDR.

Leslie G. Schultz is the Executive Director of BRIC Arts | Media | Bklyn, a non-profit cultural institution dedicated to supporting the creative process and presenting innovative and accessible contemporary art, performing arts, and community media programming that reflects the diverse communities of Brooklyn. Under her leadership, BRIC has rebranded, restructured, expanded its programming, developed and implemented a new strategic plan for institutional growth, and secured public and private support for the creation of BRIC Arts | Media House, a multidisciplinary arts and media center designed by award-winning Leeser Architecture that will double the size of BRIC’s current facilities. Prior to BRIC, Leslie was a partner at the law firm of Manatt Phelps & Phillips and its predecessor firm, focusing on capital projects for a range of non-profits and on non-profit governance and corporate affairs.

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council.

_______________________

Events at Philoctetes are free and open to the public. Seating is on a first come basis.

The Philoctetes Center for the Multidisciplinary Study of the Imagination was established to promote an interdisciplinary approach to the understanding of creativity and the imaginative process. To achieve its mission, the Center organizes roundtable discussions and music, poetry and film series. All programs are free and open to the public. Visit www.philoctetes.org for more information

Some good news for a change.

I administer the BC Arts Council’s Community Presenters Assistance program. It is a program to fund arts presenters who do a series in communities throughout BC.

Though the program funding was reduced, it was only reduced slightly thanks to the strong support for it within the Arts Council.

I have just sent out all the letters informing applicants of the results. Here is what Crystal Lorette said from the Lester Centre of the Performing Arts in Prince Rupert about her funding:

Thank you so much for this news, you have no idea how much this means for our programming. Things are so economically tough up here right now. It makes me so happy to be able to culturally enhance the lives of the beautiful people that live up here.

I am sending along a great big hug complete with a gigantic smile on my face

She identified ALL the reasons why arts funding is so worthwhile.

Take that Minister Krueger!

September 2, 2010

Following is the text of an email sent to The Early Edition this morning:

While I was interested in Mr. Hamilton’s comments about the $7 million of Olympics Legacy money now in the hand of the British Columbia Arts Council, I am sorry that you didn’t bring on some people who might have expressed a differing view of the Ministry’s decision. There was no mention of the recent surge of commentary, in the press and on the internet, against the Spirit Festivals. It’s inescapable to think that the Minister’s unexpected announcement might have been in response. Mr. Hamilton’s remarks also suggest that the Ministry is still calling the shots with regard to how the Arts Council will spend this money. Once again the Olympic spirit was mentioned, and it seems that the Ministry is questioning some of the Arts Council’s programs and allocations. The Arts Council board is made up of individuals from throughout the province who are chosen for their experience in and knowledge of the arts in their communities and regions, the whole idea being that the Arts Council can then determine the needs and directions for the arts throughout the province. The Ministry should not be telling them what to do.

Thank you for your coverage of arts funding issues over the past few weeks. Now let’s hear all sides.

Tom Durrie

PS  It was surprising that neither Minister Krueger nor Mr. Hamilton knew the correct name of the organization administering the $3 million Spirit Legacy fund: The Assembly of British Columbia Arts Councils.
TD

BRAVO

Here is the press release from Minister Krueger:

BC Arts Council Receives Additional Funding (PDF)

NEW RELEASE FROM MINISTER

Sept 1, 2010

BC ARTS COUNCIL RECEIVES ADDITIONAL FUNDING

VICTORIA – The British Columbia Arts Council will administer $7 million in funding provided through the B.C. government’s 2010 Sports and Arts Legacy to support their strategic plan, Kevin Krueger, Minister of Tourism, Culture and the Arts announced.

“I am confident in the council’s strategic plan to deliver on the legacy’s goals through its work with B.C.’s vibrant arts community,” said Krueger. “This will increase the council’s budget to just over $16 million for the current fiscal year, demonstrating our government’s commitment to a strong, creative and growing arts community, even in these difficult economic times. These monies will be distributed to the arts community through the independent peer-review adjudication process that has been established by the council.”

The government respects and values a strong independent council and is committed to ensuring this independence is maintained and enjoys the confidence of the arts community.

“In 2009, the council board established its priorities and asked staff to prepare programs to fulfil the goals of the strategic plan. The additional funding announced today means the council will be able to advance the goals set out in our strategic plan, with a large portion of these funds going towards increased support for council’s operating clients, as indicated by the minister last month,” said Stan Hamilton, interim chair of the council. The council’s board will immediately review the programs that council staff has been developing in recent months in order to ensure that the program details and the funds may be released to the community promptly.”

“Some of the programs to be implemented may include: support for the commissioning, creation, development and production of new works; artists in education; opportunities for the next generation of artists and further support for our operating clients in the spring and autumn rounds. The legacy vision is consistent with these plans,” added Hamilton.

As announced in the most recent Provincial budget, the 2010 Sports and Arts Legacy provides $60 million over three years to enhance sports, arts and cultural opportunities for all British Columbians. Of this amount, $10 million has been budgeted for culture and the arts during the current fiscal year, with $3 million allocated for the BC Spirit Festivals.

The BC Arts Council supports arts and arts organization across the province and is governed by a 15-member council, which represents the regions, cultural diversity and artistic communities of British Columbia.

For more information about the BC Arts Council and their strategic plan, please visit www.bcartscouncil.ca .

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Media Contact: Gordon Keast

Ministry of Tourism, Culture and the Arts

250 356-8177

For more information on government services or to subscribe to the Province’s news feeds using RSS, visit the Province’s website at www.gov.bc.ca .

© 2010 Arts Advocacy BC